Dancewalk – Bamako

Dans le cadre du Fari Foni Waati Festival #3

Dancewalk – Moribayassa

Part of 2nd edition of Les Journées Historiques de la Danse de Bobo Dioulasso

https://www.facebook.com/928479060634709/videos/592160977880444/

DANSONgS – Rencontre

Dans le cadre de la 2ème édition des Journées Historiques de la Danse de Bobo Dioulasso

Neopost Foofwa travels to Mali and Burkina Faso

Dyade (Short movie)

Projection du film Dyade dans le cadre de la 2ème édition des Journées Historiques de la Danse de Bobo Dioulasso

Sélection finale des Swiss Dance Days

Sélection finale des Swiss Dance Days

Sélection finale des Swiss Dance Days

Dancewalk

Dossier de presse Dancewalk – Matripoine

A l’occasion de la journée de la proclamation de la République de Neuchâtel, et à l’invitation de l’ADN et du CCN-Théâtre du Pommier, Foofwa, accompagné de Alizée Sourbé, convie des danseuses et des danseurs de la région à intégrer la marche du 1^er Mars lors d’une dancewalk citoyenne entre La Chaux-de Fonds et Neuchâtel. Une dancewalk évoquant le Printemps des Peuples issu de l’esprit d’émancipation de 1848, dédiée à la diversité de nos sociétés et ouverte à tous.

Hiver de Danses

Théâtre du Pommier

Marche du 1er Mars

Dancewalk

– Prémices d’une création –

Suite à une résidence d’une semaine au Centre des arts de l’Ecole Internationale de Genève, Foofwa d’Imobilité présentera, accompagné des danseur.euse.s Alizée Sourbé et Alex Landa Agirretxe, une restitution – work in progress – du travail débuté autour de la prochaine création de la compagnie Neopost Foofwa : Dancewalk – Histoire de la Bipédie

+ point sur le Projet GLocal 2018-2020

ENTREE LIBRE – INSCRIPTION OBLIGATOIRE A : patricia@foofwa.com

Dancewalk — Histoire de la Bipédie (work-in-progress)
Marchedanse pour le théâtre sur la condition humaine bipède

La bipédie, c’est ce mode de locomotion qui nous définit en tant qu’humains. La bipédie, c’est cette marche sur deux pattes qui nous permet de libérer les bras et les mains, c’est cette posture qui délie la parole, c’est cette condition qui déploie la culture humaine.

La Dancewalk, elle, c’est cette activité où la marche devient danse, c’est cette danse bipède qui voyage à travers la planète. Il semble tout à fait naturel que la Dancewalk explore et étudie cette particularité kinesthésique des humains, avec l’attention aux détails que la chorégraphie pour la scène théâtrale nous fournit.

Lucy, Toumaï et Orrorin, alias Alizée Sourbé, Alex Landa Agirretxe et Foofwa d’Imobilité, exemplifient avec leur corps du XXIe siècle ce qu’il faut démontrer: le passage de la quadripédie à la bipédie, les mouvements des pré-humains, les danses préhistoriques, les prémices de la culture bipède, autrement dit, l’esquisse d’une paléonchorégraphie.

Dancewalk – Du vert sinon j’étouffe

Dancewalk — Du vert sinon j’étouffe 1/4

De l’air sinon j’étouffe
Danse de 6 kilomètres à 4 danseureuses le long de La Coulée verte René-Dumont entre Bastille et le Château de Vincennes, premier tronçon de l’ancienne voie de chemin de fer ‘Le train des roses’ reliant Paris-Bastille à Villecresnes

Retransmise en direct sur Facebook.com/fneopost

‘L’Espoir’
Tout en suivant « La Coolée Verte Renaissance-Dumonde », nous initions notre Dancewalk, cette danse du voyage et de la bipédie, par une randonnée de mouvements intérieurs en lien avec notre environnement. C’est-à-dire commencer par se balader au fond de soi-même avant de sauver le monde.

Dancewalk – Du vert sinon j’étouffe

Dancewalk — Du vert sinon j’étouffe 2/4

L’univers sinon j’étouffe
Danse d’environ 12 kilomètres à 4 danseureuses du Château de Vincennes à Créteil, deuxième tronçon de l’ancienne voie de chemin de fer ‘Le train des roses’ reliant Paris-Bastille à Villecresnes

Retransmise en direct sur Facebook.com/fneopost

‘Matriartistique’
Nous n’irons pas par quatre chemins: nous demandons que nos sociétés se transforment d’un patriarcat à un ordre matristique, ou mieux ‘matriartistique’. Au mal-point où nous sommes, allons droit au but: pour sauver la terre, il faut une société plus yin que yang, il faut qu’on fasse confiance à celles qui donnent la vie pour diriger les opérations du sauvetage de la vie.

Dancewalk – Du vert sinon j’étouffe

Dancewalk — Du vert sinon j’étouffe 3/4
Danse d’environ 6 kilomètres à 4 danseureuses de Créteil à La Biche Aux Bois, troisième tronçon de l’ancienne voie de chemin de fer ‘Le train des roses’ reliant Paris-Bastille à Villecresnes

Retransmise en direct sur Facebook.com/fneopost

‘Mépris Violence’
Nos corps manifestent d’eux-mêmes: ils ressentent dans leurs cellules le cynisme, le mépris et la violence des gouvernements non seulement face à l’urgence climatique mais aussi aux injustices sociales. Ces deux thèmes sont liés. En tant que compagnie helvétique, nous dédions chacun de nos pas à Gen(evi)ève Legay et aux plus de 2000 blessés par les forces de l’ordre, en nous excusant car les flashballs sont fabriqués en Suisse; mais nous venons soutenir la proposition de référendums d’initiative citoyenne, puisque, chez nous, chaque trois mois nous votons.

Dancewalk – Du vert sinon j’étouffe

Dancewalk — Du vert sinon j’étouffe 4/4
Danse de 5 kilomètres sur le Tégéval de la forêt de La Grange jusqu’aux serres du GPSEA (Grand Paris Sud Est Avenir) à Mandres-les-Roses

Les 4 danseureuses seront accompagnées par les participant-es des ateliers Dancewalk de la semaine
Ouvert à tout un chacune, de toutes les âges et les mobilités
Point de départ : 14h30 au parking ONF de Yerres
Durée : environ 2h
A l’arrivée aux serres, une collation sera offerte

‘Bonheur Malgré Touf’
Par notre promenade dansée sur la Tégéval, nous passons du monde des fous au monde des fougères. Nous communiquons avec les arbres, les oiseaux, les insectes et les humains grâce à nos corps dansant dans la joie de l’être-ensemble. Car ces arbres centenaires ou millénaires, ça force le respect et ça s’honore: nous leur chantons, entre autres, Rendez-nous la lumière de Dominique A, Aujourd’hui de Camille, Pour la nature de Barbara Carlotti, L’univers, Sacré géranium et La transformation de Dick Annegarn.
Nous nommons aussi les initiatives citoyennes et politiques vers un monde plus écologique, respectueux de la nature. Et surtout nous dansons, nous dansons, en avançant vers la seule révolution possible, celle du retour à la vie et au respect de chacune sur terre. Car on n’arrête pas un peuple qui danse.

Dancewalk

Dans le cadre de la Fête de la Danse 2019

Dancewalk – Forward Cunningham

Dans le cadre du Festival Tours d’Horizons – Centre chorégraphique national de Tours

Précédé du film “Inter-face to face-view”

Dancewalk – Forward Cunningham

Dans le cadre du Festival Tours d’Horizons du Centre chorégraphique national de Tours

Précédé du film “Inter-face to face-view”

et suivi du film “Nearly a week after sunday” (13h30)

Dancewalk – Ticino

As part of the Open Look St-Petersburg International Dance Festival

As part of the Open Look St-Peterburg International Dance Festival

Dancewalk – Екатеринбург

Dancewalk – Ultra Valais

Glacier Is A Word from Valais

“Glacier” is a Franco-Provençal term that has been used since the 16th century in Valais, it is preferred since the middle of the 17th century in France to the term “glacière”, which was used until then.

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8:00 Meet us at the Belvedere of the Rhône glacier: Preambulation on the glacier freely inspired by the endangered Tibetan spiritual dances

9:00 Belvedere > Gletsch: Dance in Tibetan line with the audience to Gletsch naming the endangered animal and plant species in the region

11:00 Meeting at the Gletsch bus stop: Gletsch > Oberwald by bus

11:30 Meeting at the Ahorni Hotel Oberwald: to follow live the descent of Foofwa in geological logorrhoea and dancerun

13:00 On arrival lunch break with the dancers and accompanying persons

14:00 Meeting in front of the Oberwald church: Oberwald > Reckingen: Naming (in French and German) and dancing the nature along the Rhone

18:00 Arrival in Reckingen

Dancewalk – Ultra Valais

Walliserditsch apprendre 

Walliserdeutsch is the only German dialect to have largely preserved the diversity of declination and conjugation of the old German language.

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9:00 Meeting at the station of Reckingen-Gluringen: Reckingen > Mühlebach: Ilona Grand, dancer from the region, makes the words, expressions, and songs of the Haute-Valais waltz for us

13:00 Meeting at the station of Fürgangen-Talstation: Fürgangen-Talstation: A performance worthy of Trisha Brown’s on the Mühlebach suspension bridge, then lunch break while waiting for the Matterhorn Gotthard Train

14:45 Meeting at the station of Fürgangen-Talstation: Fürgangen-Talstation > Bitsch: Low-cost musical on board the train, with the amateur dance company Konzäpt

15:30 Meeting at the station of Bitsch: Bitsch > World Nature Forum in Naters (16:30) > Brig: Dancers and locals join the Dancewalk – Ultra Valais to the sound of Ephraim Salzmann’s drum

16:30 Meeting at the World Nature Forum in Naters: Naters > Brigue – Local dancers and people join the Dancewalk

18:00 Arrival at the Zeughaus Kultur Zentrum for its season opening

Dancewalk – Ultra Valais

Lonzäggäta

The Lonza River flows through the Lötschental, which gave its name to the chemical and pharmaceutical industry of the Lonza Group. In the Lötschental, there is a carnival with Tschägätta masks: disguise, satire, dances, serious scenes, culinary and erotic pleasures, struggles, parties, social criticism activities.

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9:00 Meeting at Brig Station: Brig > Visp: Carnival dancewalk with depolluting sounds part I

10:30 Meeting on the banks of the Rhone near the Werner Fercher’s Factory, Metall- und Stahlbau AG: Lonza Factory > Baltschieder Bridge: 3 performances

12:30 Meeting on the Baltschieder Bridge near the Thomas Zenhäusern: Biological lunch

13:30 Baltschieder > Raron > Gampel: Carnival dancewalk with depolluting sounds part II

15:45 Meeting at Raron Churh: Rainer Maria Rilke, from his tomb in Raron, tells us to “surrender to the intelligence of the Earth”

16:30 Meeting at the ‘Niedergesteln, Gesch’ bus stop: Variations on the Fall until Gampel

18:00 Arrival in Gampel

Dancewalk – Ultra Valais

From Rottu to Rhône

In the valley where it grows, the Rhône (Rotten in German, Rottu in Walliserdeutsch) has undergone numerous developments aimed at controlling its flow and reducing the harmful effects of its floods. After the Rhône corrections of 1863 and 1930, a third correction has been in progress since 2009.

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14:00 Meeting at Gampel, Dorf bus stop: Gampel > Niedergampel: Dancewalk for the German-speaking tributaries of the Rhône

15:30Meeting at Obergetwing, Rottenbrücke: Obergetwing Bridge: Performance of the devastating repair

16:45 Meeting at the Ravine of Feschilju: Ritual of reparative devastation

17:20 Industriestrasse Brigde > End of the Rufiweg: Dancewalk for the French-speaking tributaries of the Rhône

18:20 Meeting down the stairs at the end of the Rufiweg: Arrival and performance with the Sosta Tanzzentrum, its students and teachers

18:30 Performance in front of the Leuk/Susten Sation with the Sosta Tanzzentrum, followed by a drink

Dancewalk – Ultra Valais

Etang Donné Finges

The Bois de Finges recalls the installation of Marcel Duchamp’s last major work, “Etant donnés”, which originated in a waterfall in French-speaking Switzerland. This Bois de Finges that Corinna Bille loved: “A willow branch shaken by the current, a pine tree standing still on the sky, puts me in a state close to ecstasy, and I understand that in the past people loved trees, waters.”

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10:30 Meeting point: Susten/Leuk Station: Address to the parables of Leukerbad

10:45 Susten > Finges Wood: Dancewalk in reverence to Corinna Bille and Marcel Duchamp

13:30 Lunch time: Meeting point: bus stop 451 “Sierre Parc de Finges”

14:30 Departure for the crossing of the industrial zone

16:00 Meeting point: Cercle des Peupliers – Lac de Géronde, next to the “Buvette du bord de l’eau”

16:30 battlefield #145, living sculpture, Sierre, 2019 by Jérôme Leuba

17:45 Meeting point: EDHEA (Route de la Bonne-Eau 16, Sierre), 70 actions to celebrate its anniversary

18:30-18:45 Arrival at the Théâtre Les Halles de Sierre (TLH)

Two projects in the wake of Dancewalk – Ultra Valais:

– Presentation of the leporello INFINI 1: Drawalk by Milena Buckel and Noémi Alberganti

– Audiovisual installation by EDHEA students about the so called “Ultra Valais”

19:30 Conference “Philosophical History of Raclette” by Daniel Rausis, followed by a raclette offered to the public by the TLH-Sierre

Dancewalk – Ultra Valais

Poelitic for the future Valais

The Dancewalk is intrinsically a policy of the being-together and a poetics of freedom. It can also take on a more clearly political focus, engage in dialogue with associations, and become a forum for debate and political action.

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8:45 Meeting at Théâtre Les Halles de Sierre (TLH):Sierre towards Sion along the Rhône: Dancewalk in the form of a poetry debate

12:00 Lunch at the Saint-Léonard bridge route la Lienne near Séval

13:00 Dancewalking while making poelitics demands for the Valais

15:15 Meeting on the Bridge of Roches Brunes near the Restaurant Roches Brunes: Dancewalk in the shape of a demonstration throughout Sion streets

16:15 Ceremony of the declaration of the “Poetic Claims for the Future Valais” at the Arsenaux – Centre culturel

16:45 Delivery to the Government of the Valais of the letter of the “Poetic Claims for the Future Valais”: Place de la Planta

17:00 Arrival and welcome at the Musée d’Art du Valais: Screening of the Group Walk video on a performance with Hamish Fulton

17:45 Accompanied practice by Virna Signorelli, hypnotherapist

19:00 Slow food aperitif on the Museum Terrace with the artists

Dancewalk – Ultra Valais

DioniSion, DioniSaillon

Historically, the Valais has had many rogations, processions and processions. Currently, the Valais is an exceptional wine-growing region. To this day, Valais has always known many festivals, libations and celebrations.

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8:00 Meeting in front of the Tour des Sorciers in Sion: Dancewalk in the streets with morning sips of wine

9:00 Sion > Vétroz: Dionysian Dancewalk I: Celebrating the vineyard by singing and dancing

13:00 Meeting for lunch, and drink at the Jean-René Germanier cave

14:00 Vétroz > Les Moulins: Dionysian Dancewalk II: we sing along and dance with the afternoon wine

17:30 Performance in the Caverne des géants

18:30 Arrival and aperitif at the Caveau de Saillon, evening wine

Dancewalk – Ultra Valais

Popular (Everyone Is a V.I.P.)

Between Charrat and Martigny in Guercet there is a chapel entirely decorated by Mizette Putallaz (paintings, altarpiece and statues), the first ever graduate of the school of fine arts (today EDHEA). She even had to design her own Diploma. In the 1950s, in Valais, she had to fight to defend her right to being a female painter.

All day long programming was designed and thought by Daniel Rausis with the participation of the inhabitants of the region

Today’s Dancewalk will freely be inspired by local folk songs and dances

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8:00 Meeting at the Church of Saillon: Performance of the Green Garden with the Children of Saillon

8:15 Saillon > Canal de Gru: Dancewalk inspired by traditional steps of dances from the Valais

9:30 Crossing the bridge between Saillon and Saxon near Abricool SA with the children of Saxon

10:15 Crossing the pont de la Solverse near Bruchez fruits with the children of Fully and Saxon

12:00 Lunch break at la Belle Usine de Fully (plan your own picnic): Aperitif offered by the Cultural Commission of Fully

13:00 Dancewalk in the streets of Fully, plus 9 turns around the Church of  Fully

13:30 Crossing the pont du Rhône or so called pont de Fully with the children of Charrat

15:15 Performance-tribute to Mizette Putala in the Chapelle du Guercet with the ladies’ choir La Romaine de Martigny who will carry the flag and scarves designed by Mizette, and also the flags of the local folk bands she has designed

16:30 Passage through the Foire du Valais: entry by the Swisscom door and exit by the Octodure door

17:30 Meeting at Martigny-Expo: Little Dancewalk with dance students from the Conservatoire Cantonal du Valais

18:00 Arrival and performance in the cellars of the Distillerie Morand

18:30 Aperitif in the fermentation courtyard, then readings by Manuella Maury and Mathieu Bessero about liquors

Dancewalk – Ultra Valais

IndusTRAIL

Industrialization has overthrown the artisanal, the manual, the local and replaced it with the mechanical, the serial, the standard and the homogeneous. The production of movement in dance culture has also been profoundly disrupted by industrialization.

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8:30 Departure from Martigny Station: Morning performances with Jérôme Meizoz reading extracts from “Terrains vagues” at La Gravière du Rosel, l’Usine Moderna de Vernayaz and Dorénaz’s car dump

12:30 Lunch at Evionnaz Station

13:30 Evionnaz > Saint-Maurice: Pro-industrial dancewalk

15:15  Meeting at the gaz station of Horizonville: Hydroelectric Dancewalk, followed by Performances at the Chemin des Toblerones, vestiges of military fortifications used as anti-tank obstacles and along the historic Fortresses of Dufour

16:15 Break at route de Vasselin near the Château de St-Maurice

17:00 St-Maurice > Monthey: Anti-industrial dancewalk

19:30 Meeting at the junction of the Rhone and la Vièze, near the Step de Syngenta: Crossing of the Monthey industrial zone with the rock metal band, Herod

20:00 Arrival at the Théâtre du Crochetan inMonthey

Dancewalk – Ultra Valais

More than 200 km of dance

By the evening of October 6, Foofwa will certainly have covered 215 kilometres or more. Even if the meaning of dancing more than 200 kilometres in 10 days remains subject to interpretation, it is quite possible that this performance is a unique phenomenon.

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8:30 Departure from the Théâtre du Crochetan in Monthey: Dancewalk in French-Provençal

12:00 Performance on the pont d’Illarsaz near the ‘Illarsaz, Village’ bus stop, then lunch break in dialect

13:15 In the direction of Port-Valais: Dancewalk in arpitan dialect

14:45 Meeting at the Vouvry Station for the last kilometers

17:30 Le Bouveret: End of the Dancewalk at Rhône-Delta (from the banks facing Sagrave SA) and boat transport to La Tour-de-Peilz

18:30 Closing party at La Becque Résidence d’artistes in La Tour-de-Peilz

Deposit of the Rhone Glacier Stone signed by all Participants

Audiovisual installation by EDHEA students summarizing these ten days of Dancewalk – Ultra Valais

Dyade (Short movie)

DYADE L’humanité naufragée DYADE Le couple est un refuge DYADE Être ostracisé dominé racisé DYADE Conséquence du dérèglement climatique notre futur sera une vie d’exil sur les eaux DYADE Visa pour un tombeau DYADE Plouf bienfaits et dangers de l’eau DYADE La vie est-elle une prison ? DYADE En surface l’existence n’est que solitude DYADE Une embarcation pour l’errance entre ciel et eau dans l’étendue du monde DYADE Corps sans réponses

Le film de Foofwa d’Imobilité et Nicolas Wagnières fait partie d’une sélection de courts métrages dans la programmation “Nice Danse Film“, à l’occasion de l’UFTC – Un Festival c’est trop court, à Nice

Dyade (Short movie)

DYADE L’humanité naufragée DYADE Le couple est un refuge DYADE Être ostracisé dominé racisé DYADE Conséquence du dérèglement climatique notre futur sera une vie d’exil sur les eaux DYADE Visa pour un tombeau DYADE Plouf bienfaits et dangers de l’eau DYADE La vie est-elle une prison ? DYADE En surface l’existence n’est que solitude DYADE Une embarcation pour l’errance entre ciel et eau dans l’étendue du monde DYADE Corps sans réponses

Le film de Foofwa d’Imobilité et Nicolas Wagnières fait partie d’une sélection de courts métrages dans la programmation “Nice Danse Film“, à l’occasion de l’UFTC – Un Festival c’est trop court, à Nice

Dancewalk – Khirkee

Workshop for Dancewalk – Khirkee

• to understand in the body the particularity of dancewalking (not dancing in place but constantly through space)
• to see how variations of walking with the legs, the arms, the torso, is already dancing.
• to develop new coordinations between the lower and the upper parts of the body through some dancewalk movements
• to feel the freedom in one’s body;
• to decide of one’s own destiny going forward through time while dancing;
• to feel the joy to re-appropriate the urban space for oneself (as an individual and as a group).

And finally… take part to the Dancewalk!!

Dancewalk – Khirkee

Workshop for Dancewalk – Khirkee

• to understand in the body the particularity of dancewalking (not dancing in place but constantly through space)
• to see how variations of walking with the legs, the arms, the torso, is already dancing.
• to develop new coordinations between the lower and the upper parts of the body through some dancewalk movements
• to feel the freedom in one’s body;
• to decide of one’s own destiny going forward through time while dancing;
• to feel the joy to re-appropriate the urban space for oneself (as an individual and as a group).

And finally… take part to the Dancewalk!!

Invited by Khoj International Artists’ Association

Supported by Swiss Arts Council Pro Helvetia

Pro Helvetia New Delhi is part of the Swiss Arts Council’s worldwide network of liaison offices

Voyage

Invited by Khoj International Artists’ Association

Supported by Swiss Arts Council Pro Helvetia

Pro Helvetia New Delhi is part of the Swiss Arts Council’s worldwide network of liaison offices

Dancewalk – Khirkee

Dancewalk – Khirkee

Invited by Khoj International Artists’ Association

Supported by Swiss Arts Council Pro Helvetia

Pro Helvetia New Delhi is part of the Swiss Arts Council’s worldwide network of liaison offices

Dancewalk – Aizawl

Workshops for Dancewalk – Aizawl

• to understand in the body the particularity of dancewalking (not dancing in place but constantly through space)
• to see how variations of walking with the legs, the arms, the torso, is already dancing.
• to develop new coordinations between the lower and the upper parts of the body through some dancewalk movements
• to feel the freedom in one’s body;
• to decide of one’s own destiny going forward through time while dancing;
• to feel the joy to re-appropriate the urban space for oneself (as an individual and as a group).

And finally… take part to the Dancewalk!!

Invited by Arts and Imphal, originally based in Imphal, Manipur, India, and delocalized for security reasons at Aizawl, Mizoram, India

Supported by Swiss Arts Council Pro Helvetia

Pro Helvetia New Delhi is part of the Swiss Arts Council’s worldwide network of liaison offices

Dancewalk – Aizawl

Workshops for Dancewalk – Aizawl

• to understand in the body the particularity of dancewalking (not dancing in place but constantly through space)
• to see how variations of walking with the legs, the arms, the torso, is already dancing.
• to develop new coordinations between the lower and the upper parts of the body through some dancewalk movements
• to feel the freedom in one’s body;
• to decide of one’s own destiny going forward through time while dancing;
• to feel the joy to re-appropriate the urban space for oneself (as an individual and as a group).

And finally… take part to the Dancewalk!!

Dancewalk – Aizawl

Workshops for Dancewalk – Aizawl

• to understand in the body the particularity of dancewalking (not dancing in place but constantly through space)
• to see how variations of walking with the legs, the arms, the torso, is already dancing.
• to develop new coordinations between the lower and the upper parts of the body through some dancewalk movements
• to feel the freedom in one’s body;
• to decide of one’s own destiny going forward through time while dancing;
• to feel the joy to re-appropriate the urban space for oneself (as an individual and as a group).

And finally… take part to the Dancewalk!!

Voyage

Invited by Arts and Imphal, originally based in Imphal, Manipur, India, and delocalized for security reasons at Aizawl, Mizoram, India

Supported by Swiss Arts Council Pro Helvetia

Pro Helvetia New Delhi is part of the Swiss Arts Council’s worldwide network of liaison offices

Dancewalk – Aizawl

Workshops for Dancewalk – Aizawl

• to understand in the body the particularity of dancewalking (not dancing in place but constantly through space)
• to see how variations of walking with the legs, the arms, the torso, is already dancing.
• to develop new coordinations between the lower and the upper parts of the body through some dancewalk movements
• to feel the freedom in one’s body;
• to decide of one’s own destiny going forward through time while dancing;
• to feel the joy to re-appropriate the urban space for oneself (as an individual and as a group).

And finally… take part to the Dancewalk!!

Dancewalk – Aizawl

Workshops for Dancewalk – Aizawl

• to understand in the body the particularity of dancewalking (not dancing in place but constantly through space)
• to see how variations of walking with the legs, the arms, the torso, is already dancing.
• to develop new coordinations between the lower and the upper parts of the body through some dancewalk movements
• to feel the freedom in one’s body;
• to decide of one’s own destiny going forward through time while dancing;
• to feel the joy to re-appropriate the urban space for oneself (as an individual and as a group).

And finally… take part to the Dancewalk!!

Dancewalk – Aizawl

Invited by Arts and Imphal, originally based in Imphal, Manipur, but exceptionaly delocalized to Aizawl, Mizoram, for security reasons

Supported by Swiss Arts Council Pro Helvetia

Pro Helvetia New Delhi is part of the Swiss Arts Council’s worldwide network of liaison offices

Invited by Attakkalari Centre for Movement Arts

Supported by Swiss Arts Council Pro Helvetia

Pro Helvetia New Delhi is part of the Swiss Arts Council’s worldwide network of liaison offices

Voyage

Invited by Attakkalari Centre for Movement Arts

Supported by Swiss Arts Council Pro Helvetia

Pro Helvetia New Delhi is part of the Swiss Arts Council’s worldwide network of liaison offices

Dancewalk – Attakkalari Bengaluru

Invited by Attakkalari Centre for Movement Arts

Supported by Swiss Arts Council Pro Helvetia

Pro Helvetia New Delhi is part of the Swiss Arts Council’s worldwide network of liaison offices